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How Moth Eyes Inspired the Camera Lens

Find out how camera lenses take after moths by mimicking the way they absorb and hold in light.

Released on 11/26/2015

Transcript

Did you know Intel processors

brought personal computers to the home?

Totally.

And then Intel made them more efficient,

so that you could fit all this into a laptop.

Tight!

Real tight.

And then, they helped bring WiFi to everybody.

Whatever that is.

Come on, come on!

And now, Intel's best processor ever is here.

Which helps PCs do things you never thought possible.

Like time travel?

Hey, these pants are timeless.

[Narrator] Introducing Intel's

new 6th Generation Core processor.

It's our best processor ever.

[Narrator] Biomimicry is learning from

and then emulating nature's best ideas.

Chances are, the camera that you're using

has a lens inspired by moth eyes.

One of the things about lenses is that you

don't want them to reflect a lot of light.

You want them to drink in light

and to hold the light.

A moth has the same issue.

As a night flying creature,

it needs to drink in as much moonlight as it can,

but it doesn't want to have that light shine back.

Because if it does, it creates eyeshine,

which a predator can see.

So it wants its eye to be absolutely black,

and the way it does this is it has these tiny pillars

on the outside of the eye,

and light comes in, bounces around,

but it can't bounce back out.

These have been mimicked on films

that are being put on cameras

to make them anti-reflective.

They're being put on solar cells,

so that a solar cell drinks in the maximum amount

of light without reflecting a whole lot.

All based on a small, common,

but actually pretty cool creature.

The moth.

To learn more about biomimicry,

subscribe to the Wired channel.

Narration by Janine Benyus
Director: Michael Kleiman
Producer: Joey Carey
Production Company: Sundial Pictures
Editor: Michael Kleiman
Additional Editing: Marina Epstein-Katz
Animation: Kyle Predki
Camera: Joshua Weinstein
Sound: Reed Adler
Archival Research: Audrey Evans
Special Thanks: Stefan and Paul Nowicki