Patrick Barber wonders how it would sound if all the cars stopped. He is a writer.
Ivan Berger, technical editor of Audio Magazine, has been writing about audio and other aspects of electronics since 1962. As an Altair owner in 1976, he was one of the first with a home computer.
Colin Berry (cpberry@aol.com) clutters the pages of Option, Ray Gun, SF Weekly, and the upcoming The Happy Mutant Handbook.
Amy Bruckman (asb@purple-crayon.media.mit.edu) is a graduate student at the Media Lab at MIT, where she does research on virtual communities and education.
Kevin Burke is a former editor at Film Threat Magazine. He is working on a pop-culture history and criticism book for St. Martin's Press due out in November 1995.
Caleb John Clark (calebjc@aol.com) is a San Francisco writer who lives in the heart of North Beach. He feels like he's been hit in the forehead with a slingshot-fired won ton.
Jennifer Cowan is no longer using technology to find a mate: she has started cruising laundermats and gun clubs. She just finished making a film on Douglas Coupland.
Allison Diamond (allison@well.com) is a columnist for The American Music Press and contributes to Bikini, Detour, and Plazm. She likes to bite.
Bryan Higgins (bryan@well.com) plays the French horn and clavichord, writes fiction and software, and lives in Berkeley and Soda Springs, California.
Todd Krieger (tkrieg@eworld.com) is a reluctant nomad in search of the perfect chili dog.
Marc Laidlaw is the author of Dad's Nuke, Neon Lotus, Kalifornia, The Orchid Eater, and the forthcoming The 37th Mandala.
Daniel Marcus is an applied mathematician and fiction writer. His short stories have been published in Asimov's Science Fiction, Fantasy and Science Fiction, and Science Fiction Age.
Susan McCarthy is a carbon-based life form and a native of Earth. "I enjoy being a biped," she reports.
James Rozzi (rozzij@mail.firn.edu) is a freelance writer, woodwind musician, and teacher in the Orlando, Florida, area.
Paul Saffo (psaffo@iftf.org) is a research fellow at the Institute for the Future in Menlo Park, California.
Howard Savage is a television producer.
Carla Sinclair (carla@well.com) is editor in chief of bOING bOING and co-editor of The Happy Mutant Handbook, to be released by Putnam-Berkeley in 1995.
Larry Smith (larrys@igc.apc.org) is a freelance writer and editor of MediaFile, the San Francisco Bay Area media review printed on an attractive medium-grade recycled paper.
Dean Suzuki teaches music history with an emphasis on 20th-century music and rock at San Francisco State University. He also hosts a show devoted to experimental music for KPFA in Berkeley, California.
Scott Taves (staves@interaccess.com) works as a consultant in the music and entertainment industries. He also writes about things you can watch, hear, and screw around with.
Rogier van Bakel (rogiernl@aol.com), as anagram enthusiasts will note, has Brave Ink Galore. He is a Dutch correspondent in Washington, DC.
David Voss is the real-space manifestation of dvoss@aaas.org and a senior editor of the journal Science.
Norman Weinstein is a poet and music critic whose most recent book is A Night in Tunisia: Imaginings of Africa in Jazz, published by Limelight Editions.
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