Phil Agre (agre@ucsd.edu) teaches communications at the University of California, San Diego. He is the editor of The Network Observer at http://communication.ucsd.edu/pagre/tno.html.
Patrick Barber wonders what it would sound like if all the cars stopped. He is a writer.
Jeff Baskin is a writer and editor living in Santa Cruz, California. He is hard at work on his magnum opus, Lawrence Welk in Cyberspace.
Ivan Berger, technical editor of Audio Magazine, has been writing about audio and other aspects of electronics since 1962. As an Altair owner in 1976, he was one of the first with a home computer.
Dave Clifford (cliffoda@ucsu.colorado.edu) is a descendent of a long line of brain-eating apes whose desire for comfort and intelligence eliminated his ESP powers. He has yet to understand why people give high-fives.
Ken Coupland writes about emerging trends in technology for a variety of international design publications. He recently completed work on The Multi-Media Home Companion, the first mass-market guide to multimedia.
Ira Dick is a writer on the lookout for more, faster, or better consumer-oriented hardware and software.
Simson L. Garfinkel (simsong@mit.edu) writes about science and technology from his electronic house in Cambridgeport, Massachussetts. These days he's trying to make a living from hating Unix.
Jim Gasperini (jimg@well.sf.ca.us) is collaborating with collage artist Tennessee Dixon on "Scrutiny in the Great Round," a lyrically interactive evocation of the erotic alchemical drama of procreation.
Peter Herb (plherb@aol.com) is an attorney in New York City who plays guitar and can be found most weekdays wearing a bow tie and suspenders.
Bryan Higgins (bryan@well.com) plays the French horn and clavichord, writes fiction and software, and lives in Berkeley and Soda Springs, California.
Eric Herbert (ebert@lamar.colostate.edu) is a contract programmer/analyst working in Colorado. He misses the ocean.
Richard Kadrey (kadrey@well.sf.ca.us) is the senior editor at Future Sex magazine as well as author of the Covert Culture Sourcebook and two novels: Metrophage and the forthcoming Kamikaze L'Amour.
Joseph Lowery (72437.2354@compuserve.com) is developing a VR system for the adult entertainment market, among others.
Daniel Marcus is an applied mathematician and fiction writer. His short stories are published in Asimov's Science Fiction and Science Fiction Age. He recently finished his first novel, A Crack in Everything.
Alan Rapp (rappa@sfgate.com) works in the San Francisco book publishing industry. He likes to watch Russian science-fiction films until reduced to psychic rubble.
Steve Rapport (hammers@netcom.com) is a Cockney geezer living in San Francisco. He is a writer and photographer, and his life's work is on display at hammers.wwa.com/hammers.
Dr. Rhythm (Alastair Johnston) is a letterpress printer and a teacher of graphic design who DJs over the San Francisco radiowaves as "Dr. Rhythm."
Robert Rossney writes the Online column for the San Francisco Chronicle and is still looking for a reason to buy a CD-ROM player.
Paul Semel (beerhound@aol.com) has found a good bookstore in L.A.; now he needs a good bagel and General Tso's Chicken.
Larry Smith (larrys@igc.apc.org) is a freelance writer and editor of MediaFile, the San Francisco Bay area media review printed on attractive medium-grade recycled paper.
Dean Suzuki, PhD, teaches music history at San Francisco State University, with an emphasis on 20th century music and rock history.
Scott Taves (staves@aol.com) is the director of Reactor Sound, a new record label in Chicago. He's partial to machine music.
Norman Weinstein is a poet and music critic whose most recent book is A Night in Tunisia: Imaginings of Africa in Jazz.
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